Diamant Software Film Restoration Suite Free Download

And when used with little related filters. Of course, the time is not a priority and that it is the quality that counts.ДЇILM9 uses a lot of different and important filters, each with its specificity to treat our old movies.Д«ut, t he 'big factory' of QTGMC mixture with all other filters did not allow optimum operation.ДЄnd only use a small function QTGMC was unreasonable.Д¬ertainly, QTGMC has its uses in other areas. But its weight hanging over the other filters (speed slowdown, decreased performance).

However, QTGMC could have been kept for some minor functions. Д¬ompared with other filters, such as LSF, RemoveGrain, RemoveDirt, Dither, etc, we found that the performance was worse to reach the goal of FILM9 which is the restoration of the old movie. Which is not the purpose of FILM9.Дuring the study FILM9, QTGMC has been tested to explore all other options (deinterlace is not priority), such as Sharpen or Degrain, etc. Just as you have done, John, we try to help all lovers of film restoration.ДЄnd thank you for continuing to give advice.Дo not forget that the main purpose of QTGMC is deinterlacing. It is a contribution from us to help those who have totality of difficulties with AviSynth scripts. It is a matter of judgment or taste.Д«ut, it is quite possible to disable certain options or return the settings to reduce the effects.ДЇinally, Roland and I would like to emphasize that this software will never be for sale. ДЇILM9 default settings can indeed not appeal to those who prefer a little more grain. We have appreciated, among others, your study on RemoveDirt and RemoveGrain. And, we added at this first step color corrections for a better consideration of future temporal filters in the second process.ДЄfter, the second treatment takes much of your own learning and that of FRED on the restoration of old films. This is the reason for this initial treatment. The film captures 16.6 fps without shutter is fairly easy to implement for a beginner.Д®asier than installing an electronic synchronization between the projector and the sensor.ДЄnd so, to delete the blurred pulldown images introduced by this type of capture, it must pass through a space scripting (GetDups) that does not accept cohabitation with temporal filters. If you are going to sell this, or get people interested in using your services, you most definitely should use a better-looking film transfer. I don't want to be offensive, but it really is not a very professional-looking transfer, and is certainly not something I would use to show the quality of your software. I do not know if this is the result of your transfer system, the film itself, or your post-processing. The transfer has all the highlights 'blown out' (over-exposed). Not much seems to be happening after the initial removal of the blurred pulldown frames.

It looks like you are applying some color correction, and perhaps dirt removal. You then do several additional steps, but I am not sure why more than one step is required.

I did this over ten years ago and was going to apply for a patent, but it was too expensive to do that. That is not easy to do, and congratulations on figuring it out. The first part of the demonstration looks like you are removing the duplicates that happen when capturing from a projector with the shutter removed.

Diamant Software Film Restoration Suite Free Download